Cinema at War with the Past: Italian Futurist Cinema and Its Radical Place in the Avant-Garde
A Cinephile Encounters Cinema’s First Act of Self-Destruction Coming to Italian Futurist cinema after the Lumière brothers, Georges Méliès, and […]
Ahmet Uluçay — The Small-Town Poet Who Built Cinematic Worlds from Watermelon Rinds
There are filmmakers who enter cinema through institutions, and there are filmmakers who discover it the way one discovers fire:
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Before Hollywood Learned to Dream: Discovering the Grandeur of Early Italian Cinema
A Cinephile’s Confession: Arriving Late to an Early Phenomenon Every cinephile has a silent map in their head. Mine, like
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Michael Cacoyannis’ Trojan Trilogy: A Cinematic Testament to Ancient Greek Tragedy
Among the pantheon of world cinema’s great achievements, few trilogies have approached ancient Greek tragedy with the reverence, authenticity, and
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Kira Muratova: The Contrarian Poet of Post-Soviet Cinema
There are filmmakers who challenge institutions, filmmakers who challenge audiences, and then there is Kira Muratova — a director who,
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Otar Iosseliani: The Architect of Effortless Joy and the Chronicler of Gentle Resistance
The cinema of Otar Iosseliani (1934–2023) does not announce itself with the clamor of revolution or the stark drama of
Painting with Light: The Subtle Genius of Sven Nykvist
The Cinematographer Who Painted with Light When you watch a Bergman film—really watch it, letting yourself fall into those impossibly
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How Cinema Taught Me to Slow Down in a Fast World
A personal and philosophical reflection on time, modern life, and the healing power of slow cinema I. A World Without
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Cinema as a Weapon: How Film Became the Most Seductive Propaganda Tool Across Regimes
Cinema has always been more than light projected on a screen. Long before it earned the prestige of an art
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