Rangel Petrov Vulchanov (sometimes transliterated as Valchanov), born on October 12, 1928, in the village of Krivina near Sofia, and […]
Rangel Vulchanov: The Visionary of Bulgarian Cinema Read Post »
There is a certain moment every seasoned cinephile recognizes — that quiet, unsettling instant when you realize you have missed
When people talk about the great golden ages of cinema, the conversation usually drifts toward Italy, France, Japan, or perhaps
A Cinephile Encounters Cinema’s First Act of Self-Destruction Coming to Italian Futurist cinema after the Lumière brothers, Georges Méliès, and
There are filmmakers who enter cinema through institutions, and there are filmmakers who discover it the way one discovers fire:
Ahmet Uluçay — The Small-Town Poet Who Built Cinematic Worlds from Watermelon Rinds Read Post »
A Cinephile’s Confession: Arriving Late to an Early Phenomenon Every cinephile has a silent map in their head. Mine, like
Before Hollywood Learned to Dream: Discovering the Grandeur of Early Italian Cinema Read Post »
Among the pantheon of world cinema’s great achievements, few trilogies have approached ancient Greek tragedy with the reverence, authenticity, and
Michael Cacoyannis’ Trojan Trilogy: A Cinematic Testament to Ancient Greek Tragedy Read Post »
There are filmmakers who challenge institutions, filmmakers who challenge audiences, and then there is Kira Muratova — a director who,
Kira Muratova: The Contrarian Poet of Post-Soviet Cinema Read Post »
The cinema of Otar Iosseliani (1934–2023) does not announce itself with the clamor of revolution or the stark drama of
Otar Iosseliani: The Architect of Effortless Joy and the Chronicler of Gentle Resistance Read Post »